分類:學院國際交流

[ 學術 ] 2016 實踐大學設計學院國際設計學術與創作研討會徵稿至2016/10/15

2016 International Design Conference College of Design, Shih Chien University
2016 實踐大學 設計學院 國際設計學術與創作研討會

● Website:http://scdesignmediatingf.wixsite.com/2016
● 研討會投稿系統連結/ Submission System Link:https://goo.gl/GRd7oA
● 2016投稿系統說明​/ Introduction of Submission System (EasyChair):EasyChair 投稿系統使用指引
● 研討會論文格式/ Format of Conference Paper:研討會論文格式

主題:Mediating Future 媒和未來

World-renowned Japanese designer Kawasaki Kazoo once said that designer is the only one in an enterprise who can speak for the future users before a product is given birth. The role of today’s designers has gone beyond problem-solvers, but also a navigator who brings future to the present by connecting technologies with humanity.

Human society is facing unprecedented crises but also opportunities. The shadows of depression, the spreading terrorist threats, and the global environmental collapse are just partial facets of our challenges. New inventions like Uber, Alpha Go, and drones entail not only fresh excitement but also ethical confusion and even fears to uncertainties. Design can no longer continue its traditional forward-looking stand as if anything new is always better. It also needs to examine backward from the future to our present time to prevent civilization from ethical derailments.

It’s time for design to learn to be a mediator by translating back-and-forth between now and the future, by deepening dialogues between future design and sustainable society, and by measuring the success of design with more profound human values. Design was born on the move by nature. It’s only truer now that design must become better a movement for the healthier breakthrough of industry and a brighter future for humankind.

廣受敬重的日本設計師川崎和男曾說過,設計師是企業內唯一在產品尚未誕生之際就足以「代表著未來使用者發言」的專業。今日設計所扮演的角色已不僅為人類解決問題的手段,更是接生技術與人文願景的領航者,一個將未來帶到現在的重要專業實踐。

當前人類社會正面臨史無前例的危機與機會,除了經濟大蕭條的陰影籠罩,恐怖主義的幽魂不散,連Pokemon Go, Uber, Alpha Go, Drone這些新生事物都不僅帶來興奮,同時困惑甚至未知恐懼也伴隨而至。設計不再能一意樂觀地從當前的新科技催生未來,更要從未來那端回頭盯緊現在,避免科技偏離倫理。

「如何設計與未來和平相處的現在?」從這樣簡樸的發問開始,新時代的設計必要致力於調解現在與未來的衝突,促成設計與社會間更深刻的願景對話。設計自始便是在時空的場景中穿梭奔走,扮演著媒和未來的角色,期待成就出以人為中心的未來,亦為產業指引出發展契機!

投稿領域 Topics:
工業產品設計 (Industiral Design)
服裝設計 (Fashion Design)
​建築設計 (Architecture Design)
媒體傳達設計 (Communications Design)

時間:2016年12月9日(五)9:00 am – 6:00 pm/ Time: 9:00 am – 6:00 pm, 9th December, 2016
主辦單位:實踐大學設計學院 執行單位:工業產品設計學系
協辦單位:服裝設計學系所/建築設計學系所/媒體傳達設計學系所/教學發展中心
贊助單位:區域教學資源中心計畫

專題演講(一)/ Keynote Speech (I)
演講人 / Speaker / Prof. Dr. Michael Erlhoff
講題 / Topic / DESIGN FOR THE BLURRED FUTURE – on complexity, contradictions and fluidity

Michael Erlhoff was the founding dean of the Köln International School of Design (KISD), where he was also professor of design theory and design history. He was the dean of the department of cultural studies at the Cologne University of Applied Sciences and CEO of the German Design Council. A curator of numerous art and design exhibitions and a board member of documenta 8 , he has also written and edited many books on design, art and culture-related themes. He is a member of the German Association for Design Theory and Research, of the international Gender Design Network and of AICA. He regularly gives guest lectures and conducts workshops at international universities and he is a frequent member of national and international design juries. In 2016, he was made an honorary professor at the Braunschweig University of Art. He resides in Cologne, Germany.

專題演講(二)/ Keynote Speech (II)
演講人 / Speaker / 劉小康 / Freeman Lau Siu Hong
講題 / Topic / 椅子戲

Born in Hong Kong in 1958, Freeman Lau studied at the Hong Kong Polytechnic, now the Hong Kong Polytechnic University, which is highly reputed for design. He started his career at SS Design & Production and later joined Kan Tai-keung Design & Associates Ltd. The company was renamed Kan & Lau Design Consultants in 1996, and he has the partner of the new company since then. In 2013, Mr. Ko Siu Hong was promoted to be one of the partners and the name of the company was changed to KL&K Creative Strategics.
Freeman is currently the Vice Chairman for the Design Alliance Asia (tDA Asia), a Director of the Board of Directors of the Hong Kong Design Centre (HKDC), Secretary General of Hong Kong Federation of Design Associations (FHKDA), and Founder at leading firm – KL&K Design. Since 1984, Freeman has won over 300 design awards, his design profession is developed in several fields including graphic design, commercial products, and brand promotion, where many of his public art and sculpture design are held in leading international museums and private collections. His ongoing chair design series, “Chairplay” has also been exhibited around the world, including Beijing, Japan and Taipei.
In 2001, Freeman was invited to participate in Poster Design Competition of Beijing’s Bid for the 2008 Olympic Games. His poster was awarded “First Prize” and selected as official promotional material; recently, his posters – “Fancy of Ink”, “Symbiosis” and “Pureland” were also exhibited in “Shenzhen International Poster Festival” (2015). He is the designer behind the world-renowned Watson’s Water Bottle, which was awarded the “International ‘Bottlewaterworld’ Design Award” (2004). His most recent design achievements include “The Best Asian Designer” at the 2014 Asian Designers’ Invitational Exhibition in Korea (2014), “Design for Asia Awards” Grand Award (2015), and “iF Design Award” (2016).

2016 實踐大學設計學院國際設計系列講座《籃編創作的雕塑性》

講題:Sculptural Possibilities of Basket Making(籃編創作的雕塑性)
講者:關島壽子 Hisako Sekijima (籃編創作藝術家;多摩美術大學的客座教授)
時間:2016/4/20 14:00-16:00
地點:實踐大學台北校區NB2國際會議廳
※本系列講座對外開放,歡迎外校人士蒞臨參與,唯座位有限敬請提早入座。

此演講將討論籃編是以纖維材料創造立體物件時,一種非常豐富多樣的技法。纖維材料不僅是柔軟的繩線,也可以是任何可撓折且有點長度的物質。它可能是植物類,例如竹或籐蔓;動物類的毛絨或皮革;或是金屬類,例如鐵絲;以及人造類,例如塑膠。當我們重新界定籃編是一種織物結構時,我們可以讓它超越實用籃編製作的概念,而可以再活化物件成形的可能性。
本演講包括兩個部分,第一部份將以新的觀點來解釋籃編的本質,第二部分將介紹個人的創作經歷,作為如何重新發掘籃編的一個範例。由籃編作品介紹,將呈現個人如何將普通的特點轉換為具個人特色的表現主題的步驟。希望各位可以看到本人長期持續的嘗試錯誤和分析,以豐富個人美學想法的儲存庫,而且透過實驗性的籃編,發展出有點樸素的,但實際是第一手獨特的技法。

In this presentation I would like to discuss basketmaking could become a very rich way to make three dimensional objects with fiber materials. Fiber materials could be not only soft yarns or threads but also any substances which are flexible and of some length. It could be plants like bamboo or vines; animal fiber or leather, or metallic ones like wire; and also man-made plastics. When we redefine basketmaking as one of textile constructions, we could revitalize its possibilities of object formation far beyond production concept of utility baskets.
The presentation consists of two parts. In the first one I would explain the nature of basketmaking in a new perspective. In the second I would talk about my short history to show one example of how to rediscover basketry. Images of my basketwork would show you my steps of how I turned rather ordinary characteristics into my individualistic expressive themes. I hope you will see how I keep trying and erring and analyzing in a long time to enrich my reservoir of aesthetic ideas as well as to develop by myself rather primitive but really first hand techniques through experimental basketmaking.

講者介紹:
関島壽子 Hisako Sekijima

1944年出生於台灣台南市,1966年畢業於津田塾大學。是籃編創作的藝術家,自2003年起為多摩美術大學的客座教授。関島壽子受到美洲原住民傳統籃編及1970年代美國當代工藝運動新浪潮的影響下,開始探索籃編的雕塑可能性。極簡造形的作品清楚地展現出她喜愛材質與結構技術之間的交互運作。在國際間不同教育機構,她也是位激勵人心的知名老師。

Born in Tainan in 1944. B.A from Tsuda College in 1966. A studio artist in basketmaking and a visiting professor of Tama Art University since 2003. Under the influence of aboriginal American basketry and a new surge in contemporary craft movement in late 1970’s in USA, Hisako started exploring sculptural possibilities of basket-making. Her logical interests in interplay of material and structural mechanism are clearly demonstrated in her minimalistic forms. She has been internationally known as an encouraging teacher in educational institutions.

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[ 演講 ] MALAN BRETON 設計創作經驗分享講座

MALAN BRETON設計創作經驗分享講座
日期: 2016年2月19日(星期五) 3:00pm (2:50 pm就座)
地點: 實踐大學MN棟B2 團體欣賞室
(開放校外參與,座位有限請提早就座)

講者介紹:
出生台北天母的馬蘭布瑞頓(Malan Breton),2016榮獲國際時裝集團(Fashion Group International) FGI男裝新銳設計師大獎殊榮。
品牌官網:www.malanbreton.com

[ 公告 ] 2016跨系所國際設計工作營即日起開放報名(12/31截止)

2016跨系所國際設計工作營即日起開放報名(12/31截止)!
報名網址:https://sites.google.com/site/scdesignworkshop2016/apply

2016實踐大學設計學院跨系所國際設計工作營(二) 2016 International Workshop (II)
成田久の美味しいワークショップ(成田久的美味工作營)

未命名-1

  • 工作營時間:2016/01/18(一)~01/23(五) (全天密集式上課)
  • 行前會時間:暫訂2016/01/15(五)下午5點
  • 行前會地點:A401教室
  • 工作營主題:「美味しいワークショップ」(美味的工作營),針對食用方法的創意設計、色彩應用創新、餐具陳列與飲食包裝等子題進行為期一週密集式課程。
  • 設計學院各系所大二以上學生(含研究生)獲錄取全程參與工作營並完成作品者可得選修學分3學分,亦可列為「系外選修」學分;碩士班選修者不算入研究生畢業學分。
  • 學員甄選作業:請逕至網站報名,12月31日報名截止後將由各系進行甄選,每系10名正取,3名備取(若系上報名人數不足額備取,則名額流用至其他系)。