AXIS

身為時尚的軸心一份子，我們倡導可持續設計和人文關懷，無論是在創作上推廣運用環保素材，或是對於人口老化所衍生的銀髮關懷，都是我們所要關心議題。為了能夠對接環保素材相關研究與設計人才需求，也呼應在可持續性設計的方向上，慎選材料以嚴謹的製程學習永續設計。期許在藝術文創、科技設計、提升設計、智慧機能、3D虛擬設計，以及數位輔助藝術創作等面向上，都能致上最真誠的時尚力量。

As a member of the fashion axis, we advocate sustainable design and humanistic care. Whether it’s utilizing environmentally friendly materials or designing for an ageing population, the concerning issues of our future are becoming greatly intertwined in product development. In order to meet the needs of a changing future, our ambition is to train design talents who understand environmental protection and sustainable thinking. We aspire to combine the aspects of art and cultural creativity with modern digital design and technological enhancements to bring an honest fashion power.

網站資訊
https://uscfd9.wixsite.com/scfd

研討會舉行時間 Time
2022年12月09日（五）09：10 am – 17：00 pm
09：10 am – 17：00 pm, Fri. 9 Dec 2022

研討會舉行地點 Location
台北市中山區大直街70號MN棟圖資大樓 B2國際會議廳
Venue: Building M/N B2F International Conference Hall, Shih Chien University, No.70, Dazhi St., Zhongshan Dist., Taipei City

主辦單位 Organizer | 實踐大學設計學院 College of Design, Shih Chien University
執行單位Implementer | 服裝設計學系所 Department of Fashion Design (SCFD)
協辦單位Co-organiser | 工業產品設計學系 Department of Industrial Design (SCID)/建築設計學系 Department of Architecture (SCAD)/媒體傳達設計學系 Department of Communications Design (SCCD)

贊助單位:教育部校務獎補助 / 高等教育深耕計畫 / 國家科學及技術委員會

制鏡者

The Lens

透鏡是一種將光線聚合或分散的介質，透過被設計過的姿態，展現不同的光芒。設計就像一面多維度的透鏡，把我們在過去、現在與未來的一切日常，轉化路徑成多元的可能，同時反映出我們內心糾纏的希望、害怕、慾望、焦慮、信仰與價值觀。

A lens is a medium that focuses or disperses a light beam. Design then offers various types of refraction, creating different effects through the lens. Design is like a multi-perspective lens that transforms all elements in our daily lives in the past, present, and future into multiple possibilities. At the same time, it reflects our hopes, fears, desires, anxieties, beliefs and values that entangled in our mind.

美國科幻與奇幻小說家娥蘇拉·勒瑰恩（Ursula K. Le Guin）在《黑暗的左手》一書中提到：「這個故事並不全是關於我的，講述者也不止我一個。」如光透過介質折射後的重生，萬物經由設計不斷地被紀錄、詮釋、轉化為產品、建築、媒體、服裝等各種物質化的敘事與載體，藉此把世界匯聚起來。聚焦不只是人類，也是將自然、時空、物種甚至是其他世界時區梳理交織。

Ursula K. Le Guin, and American author of speculative fiction and science fiction, remarked in her book, The Left Hand of Darkness, “The story is not all mine, nor told by me alone.” Like the rebirth of light after refracted, design continuously records, interprets, and transforms everything into materialized narratives and carriers such as products, architecture, media, and clothing. In this way, design attempts to bring the world together. Moreover, it doesn’t merely focus on human beings but also on nature, time and space, species, and even other time zones of the world.

「聚散、轉化、繞射、維度。」

“Focusing and dispersing, transformation, diffraction, dimension”

在這個充滿不確定性的時刻之下，設計師如何成為一位制鏡者？我們試著積極地回應著全球氣候變遷、宗教衝突、種族歧視、性別平等、貧富不均、高齡化社會與人類世影響等急迫議題，從中嘗試建構出新的物件、系統與結構，照耀著彼此。而今年也是實踐大學工業產品設計學系創系的三十週年，我們將持續以各種媒介實驗、探索與想像著那可能的未來，以及實現那我們共同期望的光芒。

In the time of uncertainty, how does a designer become a lens maker? We seek to respond to urgent issues including climate change, religious conflict, racial discrimination, gender equality, wealth gap, aging society and the impact of the Anthropocene, trying to compose new objects, systems and structures. The year of 2021 marks the 30th anniversary of Department of Industrial Design,  Shih Chien University. We will continue to experiment, explore, and speculate the possible future and realize the light of our common anticipation.

網站資訊
https://scdesignmediatingf.wixsite.com/2021

研討會舉行時間 Time
2022年1月07日（五）9:00 am – 6:00 pm
9:00 am – 6:00 pm, Fri. 7 Jan 2022

研討會舉行地點 Location
台北市中山區大直街70號MN棟圖資大樓 B2國際會議廳
Venue: Bldg. MN, B2 International Conference Hall, Shih Chien University, No.70, Dazhi St., Zhongshan Dist., Taipei City

主辦單位 Organizer | 實踐大學設計學院 College of Design, Shih Chien University
執行單位Implementer | 工業產品設計學系 Department of Industrial Design (SCID)
協辦單位Co-organiser | 服裝設計學系所 Department of Fashion Design (SCFD)/建築設計學系 Department of Architecture (SCAD)/媒體傳達設計學系 Department of Communications Design (SCCD)

贊助單位:教育部校務發展獎勵、補助經費

新時代的溝通與介質

Communication Medium Now & Future

介質為物理學上可以傳遞能量或訊息的物質，在現代社會中人們已經習於將語言、影像、聲音隨著科技的演進，運用在各種生活形式中作為溝通、傳達的介質。千百種能用於不同形式溝通的介質，經由設計行為充斥在今日的生活中。不論是建築、產品、服裝、媒體、藝術領域；設計師為了文明生活裡各種形式上的美好扮演、運用介質傳遞著形而上的能量。

Mediums, the substances that communicate energies or messages in physics. People are getting used to have languages, images, sounds through technology as the medium to transfer the ideas and thoughts in modern society. Thousands and thousands of forms can be used as mediums to communicate, which is already overflow in our daily life. From architecture, products, apparels to new media, designers become the mediums of all kinds of outstanding forms in our civilization, even transferring metaphysical energy through the mediums.

不論是實質上的溝通，或是以設計透過介質溝通，今時今日，設計師透過溝通達成設計目的已經是基本責任，甚者將脈絡、策略、意圖等包覆在介質裡達成設計目的，從結果端更能觸發全面性的溝通。因此，以設計目的拓展溝通的可能性、達成深層理解、創造嶄新體驗，甚至維護社會責任；都已經是現代設計師在不斷變化的新時代裡，應重新探討而不可避免的課題。

No matter the basic communication or the mediums through design. Nowadays, to achieve the purpose of design through the communication is the fundamental responsibility for designers. Even more to incorporate the veining, strategies and thoughts in the mediums to accomplish the purpose of design. From the final consequence to awaken the comprehensive communications. Therefore to accomplish the deep understandings, to create new experiences, furthermore to maintain social responsibility through design. This is a subject that all of the designers need to be reconsidered and cannot be avoided in this changing new era.

電影導演大衛林區曾說:「當底片被汰換成數位拍攝時並沒有不一樣，莎士比亞也只用一支筆寫出經典，現在只是來到了一個人人都有筆的時代。」從底片到記憶卡、從鉛筆到 Apple Pencil，從家用電話到智慧型手機、從美術品到互動科技藝術、從人力到人工智能；在形式不完全能互相取代卻與日俱增的同時，介質與上述的溝通也在各種維度不斷地劇變著，新時代無聲無息悄悄地汰換了生活周遭的同時 ，是否也更應探討在科技與人文匯流的設計領域，設計師如何凝聚新舊時代的介質，如何掌握設計語言引發化學效應，創造承先啟後的溝通新價值？

David Lynch said, there is no difference when the digital replaced the films, William Shakespeare used only one pen to create classic. We exist in an era where everyone has a pen. From film to memory card, pencil to Apple Pencil, dial phone to digital phone, fine art to interactive technology, man to AI. The art forms cannot be replaced each other but explosively increased at the same time. Mediums and all the above-mentioned forms of communication are fiercely changing form one dimension to another. The new age is quietly coming to replace everything around your life. Isn’t it time to debate the design fields in technology and humanities convergence, how to merge the mediums from different areas, how to trigger the reaction to comprehend the language of design, how to create an inheriting new value by designers.

本研討會除了很榮幸邀請到紐西蘭奧克蘭 Assembly 動畫設計公司創意總監 Johnny Kofoed 與 Polygon Picture Inc (日本前十大動畫公司) 總裁兼首席執行官 Shuzo John Shiota ，第三位神秘嘉賓是來自日本東京、國際知名藝術團體 teamLab 的 Yamada Takeshi ，相信本次研討會精彩可期。

投稿 (Call for Papers) 截止日期為 2019 / 10 / 9 (Wed.)

敬請把握，詳細投稿與研討會資訊如下：

網站資訊

邀請自 teamLab 的 Keynote Speaker 公佈!

研討會舉行時間 Time
9:00 am – 6:00 pm,  6th December, 2019

研討會舉行地點 Location
實踐大學N棟圖資大樓B2專業教室 (台北市大直街70號)
No.70, Dazhi St., Zhongshan Dist., Taipei City 10462, Taiwan (R.O.C.) Building M/N B2F. International Conference Hall

重要日程 Important Dates
2019 /10 / 9 (WED) 23:59 全文投稿截止 Full Paper Submission Deadline
2019 /11 /15 (FRI) 審查結果通知 Acceptance Notification Date ​
2019 / 11 / 20 (WED) 全文定稿與報名截止 Registration Due

徵稿對象 Proposals
大專院校設計、傳播媒體等相關領域系所之師生以及業界人士

投稿領域 Fields
工業產品設計 (Industiral Design)
服裝設計 (Fashion Design)
​建築設計 (Architecture Design)
媒體傳達設計 (Communications Design)

歡迎踴躍投稿 !

主辦單位 Organizer | 實踐大學設計學院 College of Design, Shih Chien University
執行單位Implementer | 實踐大學 媒體傳達設計學系 Department of Communications Design (SCCD)
協辦單位Co-organiser | 實踐大學 建築設計學系 Department of Architecture (SCAD) / 實踐大學 工業產品設計學系 Department of Industrial Design (SCID) / 實踐大學 服裝設計學系所 Department of Fashion Design (SCFD)

Email：idccd@usc.edu.tw
Tel： +886 2 25381111 ext.  7211