分類:學院國際交流

2017 International Design Conference College of Design, Shih Chien University
2017 實踐大學 設計學院 國際設計學術與創作研討會

Time: 9:00 am – 6:00 pm, 8th December, 2017
Website:http://scfd.usc.edu.tw/2017idc/
Location: No.70, Dazhi St., Zhongshan Dist., Taipei City 10462, Taiwan (R.O.C.) Building M/N B2F. International Conference Hall

 

主題:Future of Work 未形

Future of Work

The Future of Technology and its development is always expected to embody and exemplify the future.

In order to react to the unpredictable changes of this age, the core essence of design must be cross-disciplinary creative thinking. Thinking that impels us forward by accelerating industrial growth as well as pushing it into new sustainable directions.

As our world is facing an ever more chaotic and unknown future, it is our role to be aware of cutting edge technology, to investigate its worth in education and help to create, nurture and establish emerging industries

未形
科技的發展總是被認爲能夠精準地勾勒未來,而跨域共創的思考方式,則牽動著人類的生活模式以及促使產業不斷更新樣貌以回應這個變幻的年代;面對眼前混沌的未知,從教育到產業,人們要如何從曖昧性中精準窺見趨勢,互相生生不已,建立時代的新價值。

 
Keynote-lectures

專題演講(一)/ Keynote Speech (I)
演講人 / Speaker / Prof. Dr. Masayuki Kurokawa黑川雅之
講題 / Topic / PRIMAL SCENE
日本設計圈的達文西
Masayuki Kurokawa黑川雅之
Masayuki Kurokawa is architect, product designer. He was born into a family of architects, graduated from Waseda University in Architecture. When he was 70 years old he got the title “Ph. D of Art”, which is a few in Japanese history. Several of his works are displayed in the permanent collection of the Museum of Modern art in New York, the Denver Art Museum and the Metropolitan Museum of Art. Now he is president of K&K Co.,Ltd., president of the Society of Reserch&Design.,etc.

專題演講(二)/ Keynote Speech (II)
演講人 / Speaker / Prof. Dr. Kerry Murphy
講題 / Topic / Animated Digital Fashion
Kerry Murphy
ODDONE
Director
http://oddone.nl

2D/3D motion graphics artist and director with the OddOne Collective. Together with my directing partner Peter van de Riet we take a conceptual storytelling approach to every project we work on. We are tool agnostic, but like to implement techniques from film making and translate them to visuals via 2D/3D design and typographic elements. We thrive to take on projects where we are part of the whole creative process. Our clients so far include Red Bull, Philips, VPRO (Dutch broadcaster), cultural institutions and various art, animation and technology festivals.

專題演講(三)/ Keynote Speech (III)
演講人 / Speaker / Prof. Dr. Liam Maher
講題 / Topic / Global Trends versus Personal Meaning
Individual Style as a Carrier of Personal and Collective Culture
Liam Maher
ECCO
VP Global Creative Director
https://linkedin.com/in/energyplan/
Liam Maher is an influential and powerful creative force in the fashion industry.
His unique knowledge of art, design, and branding, along with his ability to mold this info in such unique and creative ways, makes him a true inspiration. He has provided creative direction for a number of international brands such as Timberland, Burton, Oilily, Denham and is currently the Creative Director for ECCO Footwear. Regardless of your profession, creative or not; Liam’s intelligent, informative and highly entertaining talks are world renowned as inspiring and motivating and not to be missed.

 

投稿領域/ Topics

工業產品設計 (Industiral Design)
服裝設計 (Fashion Design)
​建築設計 (Architecture Design)
媒體傳達設計 (Communications Design)

論文徵稿事項:
(一)徵稿範圍:擬廣徵服裝設計、工業產品設計、建築設計及媒體傳達設計領域之論文,經由公開徵稿及嚴謹審查,提供具有公信力之發表與交流機會,以提升國內設計學術研究水準(各領域通過審查之論文將於下午場發表)。
(二)論文截稿日期:106年10月9日(星期一);論文口頭發表日期:106年12月8日(星期五)下午1時30分至5時(發表場間由各設計領域另行通知)。
(三)、研討會相關資訊(含活動內容、論文上傳、審查結果查詢等)請逕上網查詢,網址:http://scfd.usc.edu.tw/2017idc/

 

 

主辦單位:實踐大學設計學院
執行單位:服裝設計學系所
協辦單位:工業產品設計學系 / 建築設計學系所 / 媒體傳達設計學系所
贊助單位:黛莉股份有限公司 / 教育部教學卓越計畫

[ 學術 ] 2016 實踐大學設計學院國際設計學術與創作研討會於12/9 (五) 舉辦

2016 International Design Conference
College of Design, Shih Chien University
2016 實踐大學 設計學院 國際設計學術與創作研討會

Mediating Future / 媒和未來
2016年12月9日(五)9:00 am – 6:00 pm

主辦單位:實踐大學設計學院
執行單位:工業產品設計學系
協辦單位:服裝設計學系所/建築設計學系所/媒體傳達設計學系所
贊助單位:教育部 教學卓越計畫

http://scdesignmediatingf.wixsite.com/2016

2016%e5%9c%8b%e9%9a%9b%e8%a8%ad%e8%a8%88%e7%a0%94%e8%a8%8e%e6%9c%83-1

[ 學術 ] 2016 實踐大學設計學院國際設計學術與創作研討會徵稿至2016/10/15

2016 International Design Conference College of Design, Shih Chien University
2016 實踐大學 設計學院 國際設計學術與創作研討會

● Website:http://scdesignmediatingf.wixsite.com/2016
● 研討會投稿系統連結/ Submission System Link:https://goo.gl/GRd7oA
● 2016投稿系統說明​/ Introduction of Submission System (EasyChair):EasyChair 投稿系統使用指引
● 研討會論文格式/ Format of Conference Paper:研討會論文格式

主題:Mediating Future 媒和未來

World-renowned Japanese designer Kawasaki Kazoo once said that designer is the only one in an enterprise who can speak for the future users before a product is given birth. The role of today’s designers has gone beyond problem-solvers, but also a navigator who brings future to the present by connecting technologies with humanity.

Human society is facing unprecedented crises but also opportunities. The shadows of depression, the spreading terrorist threats, and the global environmental collapse are just partial facets of our challenges. New inventions like Uber, Alpha Go, and drones entail not only fresh excitement but also ethical confusion and even fears to uncertainties. Design can no longer continue its traditional forward-looking stand as if anything new is always better. It also needs to examine backward from the future to our present time to prevent civilization from ethical derailments.

It’s time for design to learn to be a mediator by translating back-and-forth between now and the future, by deepening dialogues between future design and sustainable society, and by measuring the success of design with more profound human values. Design was born on the move by nature. It’s only truer now that design must become better a movement for the healthier breakthrough of industry and a brighter future for humankind.

廣受敬重的日本設計師川崎和男曾說過,設計師是企業內唯一在產品尚未誕生之際就足以「代表著未來使用者發言」的專業。今日設計所扮演的角色已不僅為人類解決問題的手段,更是接生技術與人文願景的領航者,一個將未來帶到現在的重要專業實踐。

當前人類社會正面臨史無前例的危機與機會,除了經濟大蕭條的陰影籠罩,恐怖主義的幽魂不散,連Pokemon Go, Uber, Alpha Go, Drone這些新生事物都不僅帶來興奮,同時困惑甚至未知恐懼也伴隨而至。設計不再能一意樂觀地從當前的新科技催生未來,更要從未來那端回頭盯緊現在,避免科技偏離倫理。

「如何設計與未來和平相處的現在?」從這樣簡樸的發問開始,新時代的設計必要致力於調解現在與未來的衝突,促成設計與社會間更深刻的願景對話。設計自始便是在時空的場景中穿梭奔走,扮演著媒和未來的角色,期待成就出以人為中心的未來,亦為產業指引出發展契機!

投稿領域 Topics:
工業產品設計 (Industiral Design)
服裝設計 (Fashion Design)
​建築設計 (Architecture Design)
媒體傳達設計 (Communications Design)

時間:2016年12月9日(五)9:00 am – 6:00 pm/ Time: 9:00 am – 6:00 pm, 9th December, 2016
主辦單位:實踐大學設計學院 執行單位:工業產品設計學系
協辦單位:服裝設計學系所/建築設計學系所/媒體傳達設計學系所/教學發展中心
贊助單位:區域教學資源中心計畫

專題演講(一)/ Keynote Speech (I)
演講人 / Speaker / Prof. Dr. Michael Erlhoff
講題 / Topic / DESIGN FOR THE BLURRED FUTURE – on complexity, contradictions and fluidity

Michael Erlhoff was the founding dean of the Köln International School of Design (KISD), where he was also professor of design theory and design history. He was the dean of the department of cultural studies at the Cologne University of Applied Sciences and CEO of the German Design Council. A curator of numerous art and design exhibitions and a board member of documenta 8 , he has also written and edited many books on design, art and culture-related themes. He is a member of the German Association for Design Theory and Research, of the international Gender Design Network and of AICA. He regularly gives guest lectures and conducts workshops at international universities and he is a frequent member of national and international design juries. In 2016, he was made an honorary professor at the Braunschweig University of Art. He resides in Cologne, Germany.

專題演講(二)/ Keynote Speech (II)
演講人 / Speaker / 劉小康 / Freeman Lau Siu Hong
講題 / Topic / 椅子戲

Born in Hong Kong in 1958, Freeman Lau studied at the Hong Kong Polytechnic, now the Hong Kong Polytechnic University, which is highly reputed for design. He started his career at SS Design & Production and later joined Kan Tai-keung Design & Associates Ltd. The company was renamed Kan & Lau Design Consultants in 1996, and he has the partner of the new company since then. In 2013, Mr. Ko Siu Hong was promoted to be one of the partners and the name of the company was changed to KL&K Creative Strategics.
Freeman is currently the Vice Chairman for the Design Alliance Asia (tDA Asia), a Director of the Board of Directors of the Hong Kong Design Centre (HKDC), Secretary General of Hong Kong Federation of Design Associations (FHKDA), and Founder at leading firm – KL&K Design. Since 1984, Freeman has won over 300 design awards, his design profession is developed in several fields including graphic design, commercial products, and brand promotion, where many of his public art and sculpture design are held in leading international museums and private collections. His ongoing chair design series, “Chairplay” has also been exhibited around the world, including Beijing, Japan and Taipei.
In 2001, Freeman was invited to participate in Poster Design Competition of Beijing’s Bid for the 2008 Olympic Games. His poster was awarded “First Prize” and selected as official promotional material; recently, his posters – “Fancy of Ink”, “Symbiosis” and “Pureland” were also exhibited in “Shenzhen International Poster Festival” (2015). He is the designer behind the world-renowned Watson’s Water Bottle, which was awarded the “International ‘Bottlewaterworld’ Design Award” (2004). His most recent design achievements include “The Best Asian Designer” at the 2014 Asian Designers’ Invitational Exhibition in Korea (2014), “Design for Asia Awards” Grand Award (2015), and “iF Design Award” (2016).

2016 實踐大學設計學院國際設計系列講座《籃編創作的雕塑性》

講題:Sculptural Possibilities of Basket Making(籃編創作的雕塑性)
講者:關島壽子 Hisako Sekijima (籃編創作藝術家;多摩美術大學的客座教授)
時間:2016/4/20 14:00-16:00
地點:實踐大學台北校區NB2國際會議廳
※本系列講座對外開放,歡迎外校人士蒞臨參與,唯座位有限敬請提早入座。

此演講將討論籃編是以纖維材料創造立體物件時,一種非常豐富多樣的技法。纖維材料不僅是柔軟的繩線,也可以是任何可撓折且有點長度的物質。它可能是植物類,例如竹或籐蔓;動物類的毛絨或皮革;或是金屬類,例如鐵絲;以及人造類,例如塑膠。當我們重新界定籃編是一種織物結構時,我們可以讓它超越實用籃編製作的概念,而可以再活化物件成形的可能性。
本演講包括兩個部分,第一部份將以新的觀點來解釋籃編的本質,第二部分將介紹個人的創作經歷,作為如何重新發掘籃編的一個範例。由籃編作品介紹,將呈現個人如何將普通的特點轉換為具個人特色的表現主題的步驟。希望各位可以看到本人長期持續的嘗試錯誤和分析,以豐富個人美學想法的儲存庫,而且透過實驗性的籃編,發展出有點樸素的,但實際是第一手獨特的技法。

In this presentation I would like to discuss basketmaking could become a very rich way to make three dimensional objects with fiber materials. Fiber materials could be not only soft yarns or threads but also any substances which are flexible and of some length. It could be plants like bamboo or vines; animal fiber or leather, or metallic ones like wire; and also man-made plastics. When we redefine basketmaking as one of textile constructions, we could revitalize its possibilities of object formation far beyond production concept of utility baskets.
The presentation consists of two parts. In the first one I would explain the nature of basketmaking in a new perspective. In the second I would talk about my short history to show one example of how to rediscover basketry. Images of my basketwork would show you my steps of how I turned rather ordinary characteristics into my individualistic expressive themes. I hope you will see how I keep trying and erring and analyzing in a long time to enrich my reservoir of aesthetic ideas as well as to develop by myself rather primitive but really first hand techniques through experimental basketmaking.

講者介紹:
関島壽子 Hisako Sekijima

1944年出生於台灣台南市,1966年畢業於津田塾大學。是籃編創作的藝術家,自2003年起為多摩美術大學的客座教授。関島壽子受到美洲原住民傳統籃編及1970年代美國當代工藝運動新浪潮的影響下,開始探索籃編的雕塑可能性。極簡造形的作品清楚地展現出她喜愛材質與結構技術之間的交互運作。在國際間不同教育機構,她也是位激勵人心的知名老師。

Born in Tainan in 1944. B.A from Tsuda College in 1966. A studio artist in basketmaking and a visiting professor of Tama Art University since 2003. Under the influence of aboriginal American basketry and a new surge in contemporary craft movement in late 1970’s in USA, Hisako started exploring sculptural possibilities of basket-making. Her logical interests in interplay of material and structural mechanism are clearly demonstrated in her minimalistic forms. She has been internationally known as an encouraging teacher in educational institutions.

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