國際設計研討會 International Design Conference
設計學院四系所每年輪流共同主辦。於12月舉辦國際設計研討會。
分為論文發表及座談分為4個單元議題，由發表人、主持人、評論人進行交流與對談，從不同領域之論壇交流，提議新思維與新概念。
2005｜2006｜2007｜2008｜2009｜2010｜2011｜2012｜2013｜2014｜2015｜2016｜2017｜2018｜2019｜2022-1｜2022-2｜2023｜2024
2024 實踐大學設計學院國際設計學術與創作研討會
International Design Seminar of College of Design, Shih Chien University, 2024
碎片化媒體的設計反思
Design Re-Thinking on Media Fragmentation
研討主題 MAIN THEME｜碎片化媒體的設計反思 Design Re-Thinking on Media Fragmentation
在數位化加速的當代，資訊的爆炸性增長與數位產品的快速發展導致了一個更加繁忙與複雜的社會，進而加深了人與人之間的隔閡。特別是在設計教育領域，儘管工具和資訊日益豐富，價值觀不斷提升，年輕一代卻面臨著越來越多的迷茫、焦慮和不確定性。流行文化中的無力感語言，如“躺平”、“不想努力了”、“我就是爛”，反映出深層次的社會與心理問題。KFF從人口普查局的家庭脈搏調查中發現，2023年有一半（50%）的18至24歲年輕成年人報告了焦慮和抑鬱的症狀，凸顯了數位時代中年輕人群體中顯著的心理健康問題。
在這樣一個碎片化的時代，『碎片化時代的設計反思』研討會尋求探討一個核心課題：如何在充滿碎片的大海中清晰地綜觀全局，以更有組織性地將這些碎片轉化為能夠支撐我們的浮木，乃至建造成船，從而在這瞬息萬變的大海中勇往直前。這不單是對設計師的挑戰，更是對整個設計領域的深刻反思，要求我們重新審視設計的角色與價值，並探索設計如何促進理解、共鳴，並最終建立一個更加連結和有意義的社會。
本研討會將集合來自不同領域的思考和探索，一同討論設計如何作為穿越資訊海洋、尋找方向和意義的導航者。通過深入的反思和交流，我們期望發掘設計在連接人與人、促進社會進步中的無限可能，使其不僅為問題提供解決方案，更成為引領我們航向更光明未來的力量。
“Design Re-Thinking on Media Fragmentation”In the contemporary era of accelerated digitization, the explosive growth of information and rapid development of digital products have led to a society that is busier and more complex, deepening the disconnect between individuals. Particularly in the field of design education, despite the increasing richness of tools and information, values continue to evolve, yet the younger generation faces growing confusion, anxiety, and uncertainty. Linguistic expressions associated with a sense of powerlessness in popular culture, such as “lying flat,” “no longer willing to strive,” “I am just worthless,” reflect underlying social and psychological issues. According to KFF’s analysis of the Census Bureau’s Pulse Survey, in 2023, half (50%) of young adults aged 18 to 24 reported symptoms of anxiety and depression, highlighting significant mental health issues among young people in the digital age.
Therefore, the “Design Re-Thinking on Media Fragmentation” conference seeks to explore a core issue: how to clearly perceive the big picture in the sea of fragmentation, in order to systematically transform these fragments into buoys that can support us and even build ships, thus forging ahead in this rapidly changing sea. This is not only a challenge for designers but also a profound reflection on the entire field of design, demanding a re-examination of the role and value of design, and exploring how design can promote understanding and resonance, ultimately establishing a more connected and meaningful society.
This conference will bring together thoughts and explorations from various fields, discussing how design can serve as a navigator through the ocean of information, seeking direction and meaning. Through deep reflection and exchange, we hope to uncover the infinite possibilities of design in connecting people, promoting social progress, not only providing solutions to problems but also becoming a force that guides us towards a brighter future.
網站資訊
https://kdhuang.my.canva.site/2024uscidc
徵稿領域 Areas of Submission
本研討會論文集廣邀設計相關領域之論文，經由公開徵稿及嚴謹審查，提供具有公信力之發表與交流之園地，以提升國內設計學術研究水準。領域涵蓋：
· 媒體傳達設計
· 服裝設計
· 工業產品設計
· 建築設計
徵稿內容以設計及其相關領域之論文或實務研究成果為主，研究的目的、方法、結論必須明確具體。
This conference invites submissions of papers from various design-related fields. Through an open call for papers and rigorous peer review, the conference aims to provide a credible platform for the dissemination and exchange of scholarly work, thereby enhancing the academic research standards in design within our region. The conference welcomes submissions in the following areas:
· Communications Design
· Fashion Design
· Industrial Design
· Architectural Design
The conference primarily seeks research papers and practical research outcomes in design and related fields. Submissions should clearly articulate the research objectives, methodologies, and conclusions.
發表類別｜研究論文，圖像式論文，設計作品。
Type of Article Submitted｜Research Paper, Pictorals and Design Cases.
1. 研究論文類(Research Papers)：具原創性之特點，在理論與方法上有可靠之系統化推演過程，或有實證的演譯歸納、其目的、方法、結論有明確交待者。本類論文接受中文或英文投稿。
研究論文徵稿範例：請下載投稿格式（https://reurl.cc/qvN5x0）
Research Papers:Submissions in this category should demonstrate originality and involve a systematic development of theory and methodology, or empirical research with a clear exposition of objectives, methodologies, and conclusions. Both Chinese and English submissions are accepted in this category.
Examples of Research Paper Submissions: Please download the submission format. （https://reurl.cc/qvN5x0）
2. 圖像式論文(Pictoral)：圖像式論文是指除了隨附的文字外，視覺部分（如圖表、草圖、插圖、電腦繪製圖、照片、註釋照片和拼貼圖像）在傳達想法和研究貢獻方面發揮主要作用的論文。圖像式論文通過有效的使用視覺語言和高品質的圖像，提昇了視覺傳達的力量。它們可能具有實用性或理論性，或兩者兼有。
透過圖像式論文，我們鼓勵來自不同領域與學科，包括媒體/互動設計、工業/產品設計、服裝設計、建築設計和藝術創作的研究者、學生，以豐富的視覺方式表達與呈現他們的設計實作與專案。
圖像式論文的目的是對知識本身的貢獻，而非單純的記錄概念、方法和過程。視覺元素本身就可以作為一種呈現形式，對設計知識做出貢獻；它們也能伴隨著文字敘述，幫助受眾理解當中知識的貢獻為何。正是這種相互支援的架構將視覺元素轉化為研究，並確保它可以被當作研究論述中的一個論點。在這個類別裡，文字敘述應該只是類似鷹架的作用，支持著視覺內容的貢獻。
圖像式論文徵稿範例：請下載參考版型（https://reurl.cc/akE5lG）
Pictorials:Pictorial papers are those where visual elements (such as diagrams, sketches, illustrations, computer-generated images, photographs, annotated images, and collages) play a central role in conveying the ideas and contributions of the research, alongside any accompanying text. These papers enhance the power of visual communication through effective use of visual language and high-quality images. Pictorial papers may be practical, theoretical, or a combination of both.
Through pictorial papers, we encourage researchers and students from various fields and disciplines, including media/interaction design, industrial/product design, fashion design, architectural design, and artistic creation, to express and present their design practices and projects in a rich visual format. The aim of a pictorial paper is to contribute to knowledge, rather than merely documenting concepts, methods, and processes. Visual elements themselves can serve as a form of presentation that contributes to design knowledge; they can also be accompanied by textual narratives that help the audience understand the knowledge contributions. This mutually supportive framework transforms visual elements into research and ensures they are recognized as a legitimate argument within the research discourse. In this category, textual narratives should serve as a scaffold that supports the contributions of the visual content.
Examples of Pictorial Paper Submissions: Please download the reference template. （https://reurl.cc/akE5lG）
3. 設計作品類(Design Cases)：包含服裝設計、環境空間設計、產品設計、媒體傳達設計等領域五年內(含)原創作品暨充分之圖說(設計基本資料)、設計圖、實物照片或模型等。
Design Cases:This category includes original works from the fields of fashion design, environmental space design, product design, and media communication design, created within the past five years. Submissions should be accompanied by comprehensive illustrations (basic design data), design drawings, photographs of physical models, or actual product photos.
上述三類經審查委員審查通過之著作，本研討會方接受並發表，凡投寄稿件必須為不考慮在其它研討會發表者為限。研究論文稿件總頁數以中文12頁，英文8頁為限（不含參考文獻）；圖像式論文亦同。稿件如經接受，需指派作者一名於研討會當天進行現場口頭發表。
Only submissions that pass the peer review process will be accepted and published by the conference. Submissions must not be under consideration for presentation at any other conference. The maximum length for research papers is 12 pages for Chinese submissions and 8 pages for English submissions (excluding references); the same page limits apply to pictorial papers. If a submission is accepted, one author must be designated to present the paper orally at the conference.
稿件資訊｜Manuscript Information
論文提交截止日（徵稿延期）｜Submission Deadline (Deadline extended)
2024年10月4日（五）｜Oct 4th, 2024
上傳系統｜Please submit via the iPress website below
ipress (https://www.ipress.tw/J0204）
稿件類型請選擇「2024實踐大學設計學院國際設計學術與創作研討會」
Please select the manuscript type: 2024 Shih Chien University College of Design International Conference on Design Academic Research and Creative Works.
審查結果公告｜Review Notification
預計於 11 月 01 日（五）公布 。
November 1st , 2024.
審查結果將以電子郵件通知投稿者 。
Notification of acceptance or rejection will be sent via email.
研討會舉行時間｜Time
2024年11月29日（五）09：10 – 17：00
09：10 am – 17：00 pm, Fri. 29 Nov 2024
研討會專題講座｜Keynote Speeches
專題演講(一) Keynote Speech I：Art by teamLab ̶ 環境現象 / Environmental Phenomena與認知上の存在 / Existence in Perception
演講人 Speaker：山田剛史 TeamLab HR 招募總監
專題演講(二) Keynote Speech II： More than just the things in our homes…
演講人 Speaker：Mathias Funk 荷蘭安荷芬理工大學 副教授
專題演講(三) Keynote Speech III ：環境から情況のデザインへ / 從環境到情境的設計 / Toward designing from environment to circumstance
演講人 Speaker：長澤忠德 日本武藏野美術大學 董事長
研討會舉行地點｜Location
台北市中山區大直街70號MN棟圖資大樓 B2國際會議廳
Venue: Building M/N B2F International Conference Hall, Shih Chien University, No.70, Dazhi St., Zhongshan Dist., Taipei City
主辦單位 Organizer | 實踐大學設計學院 College of Design, Shih Chien University
執行單位Implementer | 媒體傳達設計學系 Department of Communications Design (SCCD)
協辦單位Co-organiser | 服裝設計學系所 Department of Fashion Design (SCFD) / 工業產品設計學系 Department of Industrial Design (SCID) / 建築設計學系 Department of Architecture (SCAD) / 建築職人學士學位學程 Bachelor Program in Architectural Craftsmanship (SCAC)
贊助單位：教育部校務獎補助 / 高等教育深耕計畫